Behind Ardashir, crown Prince Shapour and two other princes stand. (Site photo). OK – hers was not of course the most “powerful” job in Iran but it was typical of a number Iranian woman in “middling range” jobs we came across. Se trata de estructuras fortificadas, palacios y planos urbanos cuya construcción se remonta a los primeros y últimos momentos del imperio sasánida, que se extendió en la región entre los años 224 y 658 de nuestra era. On the east side of the palace, there are four large dome-shaped buildings like Qal’eh Dokhtar. A bit more than those at Susa but, as with Susa, you will need to visit the Louvre to see the decorations removed from the site!! This, a reminder that the Sassanids were Zoroastrians and we were to see Anahita Temples at a fair number of the pre Islamic sites we visited in Iran, including Tahkt-e Soleyman. Sarvestan can be covered very quickly as it covers just a single building from 5th C AD. If you are pursuing Iranian WHS and T List sites, you are going to see a number of bas-reliefs placed in prominent positions along trade routes by royalty of various dynasties for “public consumption” to emphasise their competence and glory. These consist of mosaics whose style well demonstrates the contacts between the Sassanians and Byzantium. Among these sites is the capital built by the founder of the dynasty, Ardashir Papakan, as well as a city and architectural structures of his successor, Shapur I. As for the architectural language, the chahar-taq form illustrates best the linkages of Zoroastrianism and Sassanid rule: the Sassanid Archaeological Landscape of Fars Region encompasses Zoroastrian monumental architecture from its very beginning with the Takht-e Neshin, its consolidation at Bishapur, here in particular with the fire temple formerly interpreted as Shapur’s Palace and its development during the Early Islamic time with the Sarvestan Monument. One of these is “free to view” by following the minor road up the valley from the Bishapur side - soon, on the right, you will see a fenced off area in front of the cliffs with a pair of reliefs showing the investiture of Shapur I and his victory over various Romans in a single “non historical” scene. Participation of traditional master workers familiar with the usage of traditional methods and construction materials has contributed to the preservation of authenticity. Although it is titled a “Palace”, its actual function isn’t understood. However, lithology of this pattern strongly distanced from the monuments of Parthians and tends to follow the common patterns of the Achaemenids. Situés dans le sud-est de la province iranienne du Fars, les huit sites archéologiques se trouvent dans trois zones géographiques : Firouzabad, Bishapour et Savestan. A square porch forms the central part of it, measuring 13 meters long, and width and 18 meters high. PDF | On Jan 1, 2012, Alan Farahani published Archaeology of the Sasanian Empire | Find, read and cite all the research you need on ResearchGate The palace has a more sophisticated architecture, and plan than any other building in that period.
Some of these landscape features, which carry attributes of the Outstanding Universal Value, are not yet included within the property boundaries and a boundary adjustment is foreseen to integrate separate serial components within the surrounding landscape. Over the years, the statue’s head is still healthy, but its two arms broken. More Contacts Site Map Become a member Donate Now! It also has a dome in the center and courtyard. Bishapur is a treasure trove of valuable Sasanian artifacts such as Anahita Temple. The statue was overturned which was replaced by the army in year 1958. I am not sure I would go out of my way to visit Bishapur but, if you are passing near by between the Shushtar area and Shiraz (it is around 10kms south of the direct road) I would certainly recommend stopping off to see at least the bas-reliefs – even though you may well be seeing others.

However, some of the restorations done on the structures at these sites, namely where wall facings have been applied to avoid crumbling of the core masonry, also include a large percentage of new materials, including plaster and black cement, with new stones used for the facing of the walls. Cette période constitue un âge d'or pour la région, tant sur le plan artistique que politique et religieux. But it did give us the chance to talk with the site “Archaeologist” – An Iranian lady whose education and status confirmed our growing understanding that the role of women in Iran is rather different from than that of downtrodden, hidden, hijab covered and uneducated chattels which unfortunately is the case in many countries to the East and south of Iran.

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